Delight and Choreography

Sound, territory, and collective atmosphere become shared entry points to rethink spatial practice beyond the object. Research on Jamaican and Amazonian environments is presented through a performative sonic format that treats listening as a way of reading landscape, cultural memory, and environmental transformation, while projects such as Discoteca de Playa explore how music, temporary infrastructures, and social rituals generate spatial situations in their own right.

Across these approaches, architecture operates less through form-making than through attunement: sensing rhythms, climates, and collective practices to understand how space is continuously produced, inhabited, and reinterpreted.